
Are you tired of modern reinterpretations of classic literature? Me too.
This is our comic review blog. We read comics. We like to talk about comics. This is what we think of comics.

URASAWA IS THE NEW OSAMA TEZUKA. There, I said it.
So i think old man logan has been totally kick ass! yeah,more so then uh....kick-ass.heh!i like THIS mark millar.no half ass political metaphors to cloud the phenomenal action and awesome serial storytelling.SNIKT mofos!i dont even care about the delays (allthough they are hilarious!) i mean im still waiting for the last issue of planetary! so i will continue to wait until the conclusion that drops 9/23! we'll probably see a hardcover collection around november-ish.if you haven't checked this one yet all the singles are in print,scwoop em up.do you like wolverine?word,me too!do you like Unforgiven? shit yeah, you KNOW i do too! then read this piece!

Story: someone is gunning for the seven greatest robots in the world, as well a few scattered “Robots Rights” advocates. Detective Gesicht is put on the case, a robot himself, and incidentally one of the seven supposedly targeted by the killer. This is a retelling of the “The Greatest Robot on Earth” story arc from Astro Boy, by the legendary Osamu Tezuka. You don't need to have read any Astro Boy to get down with this, but if you haven't this may just inspire you to explore the phenomenon for yourself. If you are familiar with the source material then you will find much to knowingly nod and smile about. The themes concerning the nature of humanity and what it means to be “alive”, themes that made up the central concept behind Astro Boy, are well preserved and even expanded upon in Pluto. the way these supposedly “emotionless” characters are brought to life is remarkable.
Art: Naoki Urasawa has managed something pretty amazing in these pages. He has taken Tezuka's somewhat “cartoony” (for lack of a better term) style and brought it into the real world, while maintaining the unique character aesthetic and expressions that Tezuka is known for. Fusing these two ideas with his own style Urasawa creates a thing of beauty. The story is wonderful, but the art brings an emotion and drama to it that raises the work to a whole new level.
So, you really should read this book. Don't be afraid that it's manga, or that it reads right-to-left, or that it comes from something you may be unfamiliar with. None of that matters. This is good stuff, brilliant science fiction, and it will sweep you away in moments. If it doesn't then it's possible you may not have a soul. You might want to get that checked out.

Warren Ellis has become some sort of crazy, multi-media juggernaut. The sheer volume of work that he is currently producing makes it difficult for his fans to keep up with what he's working on. I'm a big fan of Warren Ellis, some of his books are some of my all time favorite comics, so it's kind of strange that I find his abundant presence dismaying. It has become obvious to me, and others, that he's spreading himself thin, and that his work is suffering somewhat as a result. I can no longer blindly pick up a book with his name on it, secure in the knowledge that it will melt my face off. He is no longer as consistent as he once was. So what about this “Ignition City”? It has potential. I'm not terribly thrilled with the art style, but it works. So far the story is interesting, interesting enough to see where it's going anyway. I'm willing to give it a chance to improve, only because I think it may, if I knew for sure that it was only going to be as good as it is now I wouldn't bother reading anymore.
Okay, everyone who isn't reading "The Boys" please raise your hand. Good, I'd like all of you to stay after class for a well-deserved beating. Here's why:
Yet another reminder of why Crossover Event titles suck balls. Don't waste your money. Seriously, it's a complete mess. I can't even tell you what happened because I didn't understand any of it. Something to do with Darkseid and something called "Anti-Life" and every frickin' Super Hero that's ever been in a DC comic. Oh and Batman dies (right, like that'll take). I don't know, maybe I missed something amidst the twenty different stories being told simultaneously, but, since I couldn't possibly muster the will to go back and read it all again, I guess I'll never know. I'm extremely disappointed in Grant Morrison (whom I've always been a huge fan of) who, despite his intelligence and imagination, somehow crafted this disaster. Of course it's not entirely his fault. Everyone at DC Editorial should be ashamed of themselves. Hey guys, it's called "creating a cohesive storyline". Look it up. Perhaps I'm being too harsh, I suppose there are some interesting ideas caught up in all this, but the execution was just so sloppy that they must've gotten lost in the chaos. I really don't like being so negative but I'm haveing trouble coming up with something positive to say here. I guess bringing Barry Allen back was pretty cool. I always liked Barry.
Smoking aliens, giant killer robots, hillbillies being abducted, secret government conspiracies, these are the things that make up Chris Ryall (IDW Editor-In-Chief) and Ben Templesmith's (Wormwood: Gentleman Corpse, Fell) new book Groom Lake. Most of you are probably all too familiar with the whole Area 51/Project Blue Book thing by now, unless you've been living in a cave for fifty years, so you'll come to this book with certain expectations. Rest assured they will all be met and promptly violated. This is not new ground we're treading, to be sure, but that's okay, because I like the direction we're heading. This being a first issue it's mostly about setting up the story, introducing the characters, and generally laying the ground work for what's to come.
As a self-described "anti-capitalist", I imagine the end of the world often. But, shit, man--I hope it doesn't happen like it does in this comic. I had the flu last week and kept hoping I didn't have Captain Trips. I don't want to die violently spewing snot all over my shirt. I don't think my mom could handle finding me like that. Anyway, this comic is real good, if you have decent taste. I dunno, maybe you just read Archie or some shit. That's cool too, I guess.
Dark Horse has really led the pack this year with a number of tasty offerings to the comic gods. They have inched their way up to become the largest comic publisher that I wouldn't want to describe as a corporation; their motives are pure. Sure, they want to make money--but they make money publishing really top notch art. They appear to have no intentions to slow down in 2009.
Brian Azzarello pretty much sweats the type of uncomfortable crime fiction where good and bad become grey, where everyone is getting played, and most everyone is going to die. The really neat thing about this Joker book is that it's perfect for fans of Batman comics or fans of Batman movies. Not that those affiliations are mutually exclusive, but there are a lot of folks out there who just don't read comics (for whatever reason), and this book is a perfect segue to convert those who have not discovered the glory of "sequential narrative". At the end of the day, this was just a really good story, with a really creepy villain. It didn't have to be the Joker, necessarilly, but boy was he fucking scary. Bermejo's art doesn't make you any less uncomfortable, and occasionally he takes off the kid gloves and throws in a nasty fully-painted panel.

